![]() Originally designed for the Schwartz's own corporate identity, it was later finished for Condé Nast Portfolio and then expanded for Wallpaper and later T, the New York Times Style Magazine. ![]() ![]() ![]() Taking cues from the less-known anonymous grotesques and geometric sans serifs, Graphik is perfectly suited for graphic and publication design. Graphik proves that it is still possible to create something refreshing inspired by this era. Graphik: The dominant trend of the mid twentieth century simple sans serifs still reverberates in visual culture.Designed by Christian Schwartz, 2008-2009. Giorgio (+Sans): Giorgio and its matching sans were designed for Chris Martinez at T, the New York Times Style Magazine, bringing runway proportions to the page in contrasting ways.Designed by Paul Barnes and Ilya Ruderman from 2007 until 2009. Narrow without being overtly condensed, Austin is a modern with the styling and sheen of New York in the 1970s. Working as a trade engraver Austin cut the first British modern and later the iconoclastic Scotch Roman. Austin (+Cyrillic): Designed for British style magazine Harper's&Queen, Austin is a loose revival of the typefaces of Richard Austin of the late 18th century for the publisher John Bell.In house type designers in 2010: Paul Barnes, Christian Schwartz, Berton Haasebe, and Abi Huynh.
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